Showing posts with label Acoustic. Show all posts
Showing posts with label Acoustic. Show all posts

Thursday, December 30, 2010

SOUNDING OUT: JOHN HEART JACKIE

I have really been enjoying listening to We Are Gold Mounds by John Heart Jackie. Jennie Wayne and Peter Murray, the duo behind JHJ have crafted a beautiful gem of an album.

Initially, I was drawn to the music, which made me feel like I was out walking on a country road on sunny spring day. A little folk, a little country, the songs have an easy feeling to them and I just loved the confidence that is shown in allowing quiet spaces to exist within these songs. But after a listen or two, I was also quite taken with the lyrics.

Earlier this week I had an opportunity to talk with Jennie and Peter about their music and writing. What struck me was that John Heart Jackie is an idea that goes beyond the notion of a band and making music.

Peter explained that for years he has carried around a letter that he found in a used copy of the book Le Balloon Rouge. The book had originally been a gift from one friend to another, and the correspondence had been given along with the book. “The letter really spoke to me.” Peter said. “It was a really beautiful thing. In this letter this person is saying let this beautiful book be an escape for you when you need it to be…..This project (JHJ) is in a sense this idea.”

For a time when Jennie and Peter got together, they wrote a series of make believe letters to each other, taking on these characters who where corresponding. They simulated the way letters use to be written, before email and instant messaging, when time passing between correspondences could be weeks or months. “We would not write back and forth everyday.” Peter said. “We would sit with these things for a while.” The letters and characters, they explained, took on a life of their own over time. “We thought that this was an important part of creating other parts of this project that are not musical.”

This idea of allowing a new form of expression and interaction to develop between Jennie and Peter is so intriguing to me. For Jennie and Peter, it allowed them to find a new space to create and collaborate in that was different from what each had done before on their own.

Hook In My Arm   

“When we were having conversations about music, when we first started, one of the things that we were particularly interested in was the notion of the duet….and what you can create with just two people. In being together, we can make music that we could not make on our own. And that is the whole idea behind collaboration. The sum of our parts is greater than what either one of us can do individually.” Peter went on to say “I think that it is an important and humbling thing that I always try to remind myself of…… And it is more fun to hang out with your friends and make wonderful things.”

That sense of humility that Peter mentioned was no more apparent than when Jennie talked about song writing. Jennie said “I am not a tremendously prolific writer. I am not constantly writing little songs. I have to pull them out of myself. Those songs that come in 30 minutes are really few and far between. We are both constantly considering other artists and writers and listening to lots of different sounds and reading lots of different words and thinking of those things. And with all those bits of information in our heads, we can apply our own musical sensibilities. I think as long as we stay inspired by things we are able to create.”

I asked them, in creating songs, did the music or the lyrics come first? “The words and music are really related.” said Jennie. “You have to have the right words at the right point in the melody. You cannot just write some words that are meaningful and put them with some other melody. They really need to be created simultaneously and woven.

Listening to We Are Gold Mounds, one can really sense that these songs were created in a special and unique space, both figuratively and literally: From the ideas that developed from their letter writing, to the sounds of birds in the back ground of songs recorded at a countryside winery in Oregon, to the playing of a saw, recorded in the upstairs bedroom of a house.

Deep As Whales   

When I asked Jennie and Peter if they have arrived at a sound and process for creating music that they were content with, they said no. “There is the inevitable progression of an artist.” Peter said. “You make one thing and that is just a step to the next. And at the end of your life or in this case, the end of a project, when it is done, whether it be tomorrow or in 25 years, it will end when it is supposed to end. And it leaves this body of work and you will have seen the progression from the first recordings that we did out in our garage to the end.”

From the sounds of it, Jennie and Peter are onto the next set of songs, which they say will be more fully developed than those on We Are Gold Mounds. I will look forward to hearing those recordings when they are done. In the mean time, I will be enjoying the songs from what I hope is the beginning of a great creative journey for them both.

For those in Seattle, John Heart Jackie will be playing at the Sunset Tavern on February 20th….so come and check them out.

Monday, December 13, 2010

TOP ALBUMS OF 2010


It's that time of year when I spend WAY too much time choosing my favorite albums of the past year. This past year there were some really strong releases. Some made my list, others did not. Albums by bands such as The National, Arcade Fire, LCD Sound System, Yeahsayer, and Gorillaz were quite ambitious and gained a lot of attention, but I just could not get 100% behind them. What came as a surprise to me was that a few of the albums that I chose for my list are fairly recent arrivals for me...which means that I am running on a bit of a gut reaction. Having said this, each one of these albums really does stand on its own as something very special.



Broken Bells, Broken Bells
When I first hear that Brian Burton a/k/a Danger Mouse and James Mercer (The Shins) were teaming up I thought 'well there's an odd pairing.' Turns out the pairing is perfect. The depth of Burton and Mercer's musical knowledge and abilities complement one another so well and are prominently on display on their debut album. The songs that work well here are fantastic. Unfortunately, a few of the songs fall a bit flat and so the album did not make my final cut.

              
Villagers, Becoming A Jackel
Connor O'Brian is an Irish folk-pop singer/songwriter who performs under the name Villagers. On his debut album O'Brian has crafted some great songs. Beyond the strong song writing, I have to say that I just love his voice. He sings with such clarity. When you listen to him you feel like he is really thinking about each note and word and the meaning behind them. Like with Broken Bells, a few songs did not hold my attention. Having said this, there are a few songs here that are among the most memorable of the year for me.


Eels,  End Time
The release of an Eels album is always an event for me. Mark Everett can do no wrong in my book. Having said this, I approach each album with as much objectivity as possible. With End Times, Everett takes things down a few notches from his lasalbum Hombre Lobo, as he takes the listener into his post love of his life break-up head. Everett's writing is open, honest, heartbreaking, and humorous.





The Radio Dept.,  Clinging To A Scheme
On Clinging To A Scheme, The Radio Dept. (from Lund, Sweden) continues to play with rich, textured sounds that fill whatever space they occupy. The band, the songs, and the album are in no particular rush to get from one place to another, so no one particular track really stands out from another. Both of these aspects of the album are just fine by me. It is a great listen on a cold and rainy day...or any other day really.



Deerhunter, Halcyon Digest
I'm always a bit skeptical when music critics seem to fall over one another to pour praise on album. It feels like folks jump on a ban wagon out of fear of being looked at the wrong way if they don't. This was the reason that I ignored Halcyon Digest for so long. So imagine my surprise when I took it for a spin and instantly knew that this album would make my top picks list for the year. Deerhunter's latest album is full of cool layers and textures of sound with vocals that are both contemporary sounding and a throw back to Britain in the 60's. The more I listened, the more I was drawn in to it. 


      
The Tallest Man On Earth, The Wild Hunt
Kristian Mattson, who records under the name The Tallest Man On Earth, is a special artist. As I wrote last month, his unfiltered voice, guitar, and story telling just feels so unique and original in today's music environment where everything feels pulled, pushed, and processed. I was absolutely captivated by The Wild Hunt. His writing and story telling here is just beautiful as he explores his spirituality and the world around him. 

              



Mumford & Sons, Sign No More
As much as I enjoyed this album, I knew that it was a true winner when my 10 year old son started requesting me to play it. Signs No More is a mash up of a British bluegrass type sound, country, folk, and a strong right elbow thrown in every once in a while for good measure. I am really encouraged that Mumford & Sons have found a wide ranging audience that has helped propel this album to the top of many music charts both in the States and in England. It is nice to hear some real diversity on the radio.



Cee Lo Green, The Lady Killer
The Lady Killer is currently my guilty pleasure. Everything about this album grabs the listener: the rhythms, beats, vocals, and lyrics..oh the lyrics....This is not a family friendly sing-a-long kind of an album...but you will be singing along. Green belts out these songs with such zeal and gusto. Honestly F*ck You (makes me cringe a bit to write this) may be my favorite song of the year. Do yourself a favor. Pick up this album, kick your kids out of the living room or car and crank this one up a few notches.  



Janelle Monáe, Archandroid
I will admit that I did not think that I would like this album let alone love it. I knew nothing about Monáe going into my first listen. I knew nothing about the alter ego she created, Cindi Mayweather, a messiah figure to a community of androids, that this album chronicles. And I did not know that mixing R&P, Hip-Hop, Soul, rock, and orchestral suites could be so successful and satisfying. Every song on this album surprised me and picking one stand out from the 18 proved impossible to do.



Surfer Blood, Astro Coast
I am a sucker for music with playful guitars. I still look fondly on Built To Spill's Keep It Like A Secret for this very reason. Add catchy melodies and poppy choruses (Think Fountains of Wayne or Weezer), and I am sold. Unfortunately, bringing all of these elements together in one song, let alone 10, is hard to do well. Surfer Blood has accomplished this with Astro Coast. This album is thoroughly fun, fresh, and enjoyable. 

              

Wednesday, December 1, 2010

The Tallest Man on Earth

Discovering Kristian Matsson, better known as The Tallest Man on Earth, has been one of the great pleasures of this past year for me (musically speaking). The first time I heard his voice, with his lone guitar, I knew that I was in for something special. There is no doubt that his style and voice are reminiscent of one of the great American singer-songwriters (listen and you will instantly know who it is). But his unfiltered voice, guitar, and story telling just feels so unique and original in today's music environment where everything feels pulled, pushed, and processed. Leave it to a Swede.


Burden of Tomorrow from Matsson's new album The Wild Hunt, is just a great example of his wonderful story telling. 


Oh I was sent to find the lonesome place
Where I was lost but left to trace
By carving riddles on the lonesome vine

Oh but rumor has it that I wasn't born
I just walked in one frosty morn
Into the vision of some vacant mind

Oh once I held a pony by its flagging mane
And once I called the shadow in the turning game
But I will fight this stranger that you should fear
So I won't be a burden of tomorrow dear

Aww Xavier's on the border of the sun
Swings on the chambers of your guns
And tries to shoot the chord and light the path

Aww but hell I'm just a blind man on the plains
I drink my water when it rains
And live by chance among the lightning strikes

Oh once I held a glacier to an open flame
And once I felt like wildcat in the fallen game
But I will fight this stranger that you should fear
So I won't be a burden of tomorrow dear

Oh the singer's on the edge to feed the canyon's mouth
They will go on forever til they sing you out of time
But I will fight this stranger that you should fear
So I won't be a burden of tomorrow dear


Matsson has released two full length albums, Shallow Grave, in 2008 and The Wild Hunt, earlier this year (2010). He has also released two EP's. The Tallest Man On Earth EP in 2006 and Sometimes The Blues is Just A Passing Bird EP, which was released this past September (2010).

While I have not finalized my top ten albums of the year, I will say that The Wild Hunt is definitely in the running to make my top ten.

There is a lot more that I can say about Matsson. But instead, I will let his singing speak for itself. Check out Matsson performing two of my favorite songs below. You can also listen to Burden of Tomorrow


Matsson performing Where Do My Blue Bird Fly last year at KEXP here in Seattle.





The Gardener, performed at Music Inn World Instruments in NYC as part of The Take-Away Shows.





Other Listens:

Burden of Tomorrow

  
Burden of Tomorrow