Ollie Judge (vocals, drums), Louis Borlase (guitar, vocals), Anton Pearson (guitar, vocals), Laurie Nankivell (bass), and Arthur Leadbetter (keyboards) were drawn together while studying in Brighton, England, united by a shared love for experimental music—its unpredictability, freedom, and ability to push beyond conventional song structures. In 2016, they formed Squid, quickly developing a distinctive sound that blended post-punk, jazz, and electronic influences. Since then, they have embraced the challenge of crafting music that feels spontaneous and immersive, incorporating unusual rhythms, shifting time signatures, and layered textures.
Their first two albums pushed sonic boundaries in ways which I have to admit was a bit much for me at times. But with their third release, Cowards, Squid introduces a new sense of restraint, which is welcomed. While still adventurous, its nine songs are more approachable, balancing complexity with clarity. Exploring themes of evil and moral ambiguity, Cowards is an evolution for Squid, refining their experimental tendencies without losing their edge. It’s singular in its creativity and one of the more fascinating albums that I’ve heard in some time.
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