We Sink feels less like a set of thirteen songs and more like a journey through a dark, restrained dreamscape. With minimal instrumentation and carefully placed details, a piano line here, a handclap or finger snap there, Sóley builds music that is whimsical and haunting at once. Tracks like Kill the Clown and About a Funeral lean into eerie, cinematic territory, creating imagery that lingers well after the music fades. It’s an artful debut where every choice feels intentional, and one that rewards listeners who take the time to fully sink into its world.

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