Other Lives, Tamer Animals

A few months back, Other Lives, who hail from Stillwater, Oklahoma, release there sophomore album, Tamer Animals. I had read that it took the band almost 14 months to complete it. Listening to it, you know why. It is a dramatic album that is both orchestrally and sonically rich. The attention that the band has paid to detail throughout the album is self evident and listening to it becomes a wonderful exercise in identifying all of the instruments and sounds placed within these songs.  

Last week I had an opportunity to see Other Lives play live at the Paramount Theatre here in Seattle. Having listen to Tamer Animals many times, I was very curious to see how they actually built these songs and how much of what I was hearing on the album was done with live instruments vs. using synthesizers and sampled sounds. I was amazed to see and hear that almost everything that I was hearing was actually being played lived by all five members of the band. They are all multi-instrumentalists in every sense of the word. At one point I had counted six different instruments that Jonathan Mooney had played in the span of two songs: violin, piano, guitar, trumpet, xylophone, and percussions. After seeing them play live, my appreciation for what they have accomplished with Tamer Animals is even greater than before. 

Below are three in-studio performances that the band did last week for hear*ya at Shirk Music & Sound in Chicago. Seeing them play some of their songs again live was a real treat and very cool. Instruments change from one song to the next so take the time to watch them all. They are a very impressive band.

Sóley, We Sink

A few months back I heard I'll Drown, the first track off of Sóley Stefánsdóttir's recently released debut album We Sink. I was completely captivated by the song and by Sóley.

Sóley's, who is a member of the Icelandic band Seabear, has a beautiful, warm, and subtle voice that floats in a just under-the-radar kind of a way. She reminds me of Emiliana Torrini, who I have admired for a long time. I had read that after many years of singing in private, Sóley got used to the sound of her own voice and finally discovered her own vocal skills. I'm glad she did.

Released last month, We Sink is a wonderful album that feels less like thirteen individual songs and more like a journey through a dark and restrained musical dreamland. In it, Sóley uses her subtle vocal style and singing to weave stories, some quirky, some odd, all seemly other-worldly, through her musical landscape. With open and minimalistic instrumentation, perfectly placed elements and little touches throughout.....a simple dancing piano line, adding something whimsical to an otherwise dark and somber moment, a snapping finger or clapping hand to create musical texture, as well as rhythm....Sóley ultimately creates imagery in one's mind that that lingers long after the music has stopped. This is especially true for songs like Kill The Clown and About A Funeral which have a Danny Elfman-Like feel to them. 

I'll Drown 

While my first listen to We Sink was enjoyable, I did not truly appreciate it until I listened to it again and let myself be drawn into it's stories and landscapes. We Sink is an artful album on which everything Sóley does is intentional, but nothing feels forced or false. This is a great debut for Sóley and one that is definitely worth taking the time to explore.  

Smashed Birds 
One of my favorite songs on We Sink is Smashed Birds. It's a beautiful and haunting song. Below is a video for the song that really compliments it well. Enjoy.