10. Deerhunter, Halcyon Digest
I'm always a bit skeptical when music critics seem to fall over one another to pour praise on album. It feels like folks jump on a ban wagon out of fear of being looked at the wrong way if they don't. This was the reason that I ignored Halcyon Digest for so long. So imagine my surprise when I took it for a spin and instantly knew that this album would make my top picks list for the year. Deerhunter's latest album is full of cool layers and textures of sound with vocals that are both contemporary sounding and a throw back to Britain in the 60's. The more I listened, the more I
9. Mumford & Sons, Sign No More
As much as I enjoyed this album, I knew that it was a true winner when my 10 year old son started requesting me to play it. Signs No More is a mash up of a British bluegrass type sound, country, folk, and a strong right elbow thrown in every once in a while for good measure. I am really encouraged that Mumford & Sons have found a wide ranging audience that has helped propel this album to the top of many music charts both in the States and in England. It is nice to hear some real diversity on the radio.
8. Janelle Monáe, Archandroid
Janelle Monáe’s The ArchAndroid is a sprawling, cinematic statement, blending funk, soul, hip hop, R&B, psychedelic pop, and orchestral grandeur into a singular vision. Presented as the next chapters of her Metropolis saga, the album follows her android alter ego Cindi Mayweather through themes of freedom, identity, and rebellion. Songs like “Tightrope” burst with energy, while “BaBopByeYa” and “Sir Greendown” stretch into lush, theatrical territory. It’s a record that moves between the dance floor and the opera house, unified by Monáe’s electrifying presence and the sense that every note serves a bigger story. Every song on this album surprised me and picking one stand out from the 18 proved impossible to do.
7 Cee Lo Green, The Lady Killer
6. Eels, End Time
The release of an Eels album is always an event for me. Mark Everett can do no wrong in my book. Having said this, I approach each album with as much objectivity as possible. With End Times, Everett takes things down a few notches from his last album Hombre Lobo, as he takes the listener into his post love of his life break-up head. Everett's writing is open, honest, heartbreaking, and humorous.
5. The Tallest Man On Earth, The Wild Hunt
Kristian Mattson, who records under the name The Tallest Man On Earth, is a special artist. As I wrote last month, his unfiltered voice, guitar, and story telling just feels so unique and original in today's music environment where everything feels pulled, pushed, and processed. I was absolutely captivated by The Wild Hunt. His writing and story telling here is just beautiful as he explores his spirituality and the world around him.
4. The Radio Dept., Clinging To A Scheme
On Clinging To A Scheme, The Radio Dept. (from Lund, Sweden) continues to play with rich, textured sounds that fill whatever space they occupy. The band, the songs, and the album are in no particular rush to get from one place to another, so no one particular track really stands out from another. Both of these aspects of the album are just fine by me. It is a great listen on a cold and rainy day...or any other day really.
Conor O’Brien, the Irish folk-pop singer/songwriter who records as Villagers, uses his debut album Becoming a Jackal to showcase both his sharp songwriting and a voice of remarkable clarity. He sings as if weighing every note and word, letting their meaning resonate in performances that feel deeply considered. The songs shift between hushed confessionals and simmering intensity, carried by fingerpicked guitar, sparse piano, and arrangements that open at just the right moments. Blending the personal and the surreal, O’Brien crafts an album that draws you in quietly and holds you there with quiet force.
2. The Roots, How I Go Over
The Roots’ How I Got Over stands out as a restrained yet groove-heavy album full of thoughtful commentary on the political transition from Bush to Obama. The band pairs deep-pocket rhythms with reflective, often sober lyricism, opening in a hushed space and gradually building momentum through tracks like “Dear God 2.0” and “Walk Alone.” Live instrumentation and soulful hooks anchor meditations on struggle, resilience, and hope, while guest appearances from Joanna Newsom, John Legend, and Monsters of Folk add texture without breaking the flow. It’s an understated yet deeply affecting record, one that lets its message breathe as much as its beats.
1. Broken Bells, Broken Bells
When I first hear that Brian Burton a/k/a Danger Mouse and James Mercer (The Shins) were teaming up I thought 'well there's an odd pairing.' Turns out the pairing is perfect. The depth of Burton and Mercer's musical knowledge and abilities complement one another so well and are prominently on display on their debut album. The songs that work well here are fantastic. Unfortunately, a few of the songs fall a bit flat and so the album did not make my final cut.
2 Comments
Mumford & Sons, Janelle Monae are among my favs of the year and will sure to get to the Villagers, Surfer Blood, Eels and of course Cee Lo Green :),
As for myself: I enjoyed two new albums this year from two artists Seattle brought together when back in 2001 India Arie was warming up for Sade concert in Key Arena, India Arie's Testimony: Vol. 2, Love & Politics and Sade's Soldier of Love...
It’s a disappointment Decemberists did not released the announced as 2010 album The King Is Dead IN December; I'm sure it would have made it in your list...