2022 was a different year for me. Personal issues pulled me in mulitiple directions and ultimately away from one of my true loves...Sonic Subway...and writing about the music that I have listened to and love throughout the year. With this said, the year would just not be complete without me at the very least sharing/posting my top ten albums of year. Because while I may not have been writing all year...I certainly have been listening! So without further ado...here they are, my top 10 albums of 2022
10. Regina Spektor, Home, before and after
I am not a big Regina Spektor fan. There, I said it. But, I have become a really big fan of Spektor's first album in six years, Home, before and after. While Spektor has no trouble pondering big, weighty questions and ideas on her eighth album, each of her ten songs find a wonderfully tuned balance between ambition, headiness, and light heartedness. Home, before and after just feels like a classic album in the making.
9. Goose, Dripfield
Watching Goose's growth in popularity over the past few years has been eyebrow raising to be sure. This quintet from Connecticut has gone from playing small clubs to selling out multi-day gigs at major music venues across the country. Their amazing live jamming performances are certainly exciting to experience, but the kind of growth that the band has experienced does not come without great songwriting, music, and musicianship. And this band has it all.
The challenge with any jam band when it comes to studio album recording is the ability to capture the essence of the band and what makes them so special when playing live while working in a very structured and limiting format. What Makes Goose's second studio album so good is their ability to do just that. While a listener will not find any long improvisation on Dripfield, they will hear every essential piece of the band that makes Goose so great.
8. Butch Walker...As Glenn
Billy Joel, Boz Scaggs, Elton John, Jackson Browne, Warren Zevon, a little John Melloncamp...'Glen' channels them all as he plays to what appears to be a full house at a local piano bar. That's the concept of Butch Walker's latest album, As... Glenn. Technically, this album came out last year, but it's wide release comes this month so here I am. At first glance, I expected this album to be a fairly cheezy one, but that is not the case. Walker's songwriting is simply fantastic and this collection of singalong songs had me feeling nostalgic for my favorite '70's piano playing singers and albums. Since I'm not sitting at that bar able to applaud with some clapping, I will just say 'Well done, Mr. Walker...um, Glenn, Well done.'
7. Broken Bells, Into The Blue
James Mercer and Danger Mouse first came together to form Broken Bells in 2010. I thought that it was an odd pairing at the time. But they delivered two strong albums in 2010 and 2014. Eight years later, they're back with Into The Blue. Playing with space and textures in new and intriguing ways, their sound feels fully realized for the first time and make this their strongest and best album to date. Into The Blue has been on high rotation for me all year and has become a favorite of mine.
6. Yard Act, The Overload
In just 18 months, Yard Act went from an unknown post-punk band from Leeds, UK to being a major label recorded band with debut album that entered the UK charts at number one back in February. Not too bad.
Since the band released their first single, Fixer Upper, there had been a great buzz around them. Yard Act seemed to have struck a nerve as lead singer James Smith and the band confronted everyday life in a post-Brexit Britain with their acid tongue lyrics and post-punk funk sound.
So, in a little less then two years since their formation, Yard Act gave the people much more of what they wanted; a full length album of blunt, bruising, compassionate, and witty songs that touched on class identity, gentrification, consumerism, cancel culture, and general discontentment. Combined with their 'skittery-but-muscular post-punk funk' sound: 'punchy disco drums, stabbing, guitar, and melodies driven by the bass that tend to resolve into memorable choruses' (The Guardian), the band landed a one-two punch. The Overload is a super debut album that I have been thoroughly enjoying and it is one that should set Yard Act on a trajectory to great success.
5. The Mysterines, Reeling
4. Tears For Fears, The Tipping Point
They're back! It's been 17 years since one of my all-time favorite bands released an album. Asked in an interview why now, after so many years? Roland Orzabal and Curt Smith said, "because we have something to say."
Both at the age of 61, Orzabal and Smith have done a lot of living. "When we started off..."said Orzabl, "we were adolescents who blamed our parents for everything. And now having been through this as parents, I realize that you can’t cure life, that a large part of life IS tragic, but what you can do is connect, and it’s through that connection you find 99 percent of the answers."It's Orzabal and Smith's searching for answers..on the death of Ozrabal's wife, the pandemic, toxic masculinity, and much of what the world has experienced over the past few years, that has pushed their creative process and music forward.
Forward thinking, moving, and sounding is often challenging for bands that have been together as long as Tears For Fears. But almost forty years on, the band sounds and feels as strong and amazingly relevant as ever.
3. King Hannah, I'm Not Sorry, I Was Just Being Me
Quite a few debut albums caught my ear this year. None more than King Hannah's I'm Not Sorry, I Was Just Being Me. On it, Liverpool duo Hannah Merrick and Craig Whittle have created a dark and doleful space and mood that's mesmerizing and seductive.
While there are no intentional themes to the album, Merrick and Whittle have said that childhood and memories and the warmth they bring drove the direction of many of the songs on the album. I guess. Feelings of Nostalgia and sentiment may live in these songs, but they are swirling around in dark waters with strong undercurrents. Perhaps not the best waters to swim in, but waters that I found myself wanting to dive into again and again.
2. Spoon, Lucifer On The Sofa
Michael Hann, who writes for The Guardian, said it best; "There aren't really bad Spoon albums. There are really good Spoon albums and there are excellent Spoon albums."Spoon's tenth album, Lucifer On The Sofa, not only falls into the 'excellent' category, it may be one of their best.
In an interview with Consequence of Sound, Britt Daniel said that with Lucifer On The Sofa, the band was aiming to break away from the sounds of their recent albums by reconnecting with the identity and culture" of the city that birthed them....Austin, TX. Feeding off the dynamism of the city and honing back in on their live sound, the band has recaptured a level of energy and 'rollicking form' not felt since recording Ga Ga Ga Ga Ga Ga Ga in Austin years earlier. This, says Daniel, is by design. "What I wanted was to make a record that felt good to listen to, that felt right on, that felt kick ass....Post-pandemic, I think the world needs that even more, the record that feels good blasting outta your radio." Yep.
1. Sandre Lerche, Avatars Of Love
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