Destroyer’s Have We Met, the twelfth album from Dan Bejar, leans into icy synths, steady grooves, and his distinct half-spoken vocals. The songs are built on a foundation of electronic textures, with guitars and rhythms weaving in and out to create a focused, streamlined sound. Lyrically, Bejar keeps things sharp and abstract, delivering lines that are as memorable as they are elusive. Have We Met shows Begar continuing to play with different soundscapes, offering a record that is intriguing and rewarding across repeated listens.
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What I love about music is its power to transport me. Sometimes it’s unexpected, sometimes it’s exactly where I want to be. A single melody can unlock memories I didn’t realize I still carried, while certain chords or lyrics take me to another time or place. Some songs feel like home, offering shelter, while others deliver me to an unknown place or space, stirring emotions I can’t quite name. In this way, music isn’t just sound—it’s a sonic subway, delivering me to a station of refuge or one I never knew existed.
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