Sandro Perri defies logic on In Another Life, which he describes as an experiment in “infinite songwriting.” The 24-minute title track drifts without urgency, unfolding like a dream that refuses to resolve. Built on slow-moving chords and gentle melodic shifts, it creates a sense of time suspended, where moments stretch and dissolve before ever settling. There’s no climax, no chorus, just the quiet confidence of a song content to exist.
The second half of the album consists of three versions of “Everybody’s Paris,” each one reimagined with new collaborators and shifting textures. What could feel repetitive instead becomes a study in perspective, as melodies reshape and emotional tones recalibrate. Perri leans into ambiguity and space, letting atmosphere do the heavy lifting. It’s an ambient pop suite that feels both meticulous and unbound, mesmerizing, hypnotic, and quietly unforgettable.
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